The Anacostia Community Museum grew out of an idea that was first discussed at a conference on museums and education sponsored by the Smithsonian in August 1966. In addition, the Dorn C. McGrath Jr. slide collection dates from 1969 to 2000 and provides an extensive resource of the built and natural environment of the Anacostia community. A small selection of Anacostia Community Museum historical and administrative records are kept by the archives and supplement the institutional records held by Smithsonian Institution Archives. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. In March 1967, the Smithsonian secured the Carver Theater on Martin Luther King Jr. Avenue, Southeast, in Anacostia as the site for the project. Early exhibits such as the 1969 exhibition The Rat: Man’s Invited Affliction, which explored rodent infestation, reflected the interests of an urban neighborhood battling an increasing problem. The archives house over 50,000 images, with the strength residing in the visual documentation of the community, exhibitions, programs, educational, and outreach material spanning the museum's forty-three years. Highlights from the collection include: The Anacostia Story: 1609–1930; The Real McCoy: African-American Invention and Innovation, 1619–1930; Climbing Jacob's Ladder: The Rise of Black Churches in Eastern American Cities, 1740–1877; The Harlem Renaissance: Black Arts of the Twenties; Banding Together: School Bands as Instruments of Opportunity; and Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D.C. It actively collects materials relating to the preservation of family and community history through education, advocacy, and documentation. The Museum was invested in the community, and the community was invested in the Museum. Anacostia Community Museum: Exists to enhance understanding of contemporary urban experiences and strengthen community bonds. Even though the museum has broadened its focus in recent years, its collections contain thousands of unique artifacts related to the local African American community. ... +"Anacostia Community Museum" Previous Next. Anacostia Community Museum Collections Researcher Jennifer Sieck goes beyond the birthdays and behind the scenes in the archives: Abolitionist, activist, ambassador, author . Visiting the Museum. modify search. Materials include color and black-and-white photographs, negatives, clippings, programs, certificates, scrapbooks, programs, and crossword puzzles. All describe Frederick Douglass (circa 1818-1895), but did you know he was a musician, too? The images depict mostly African-American men in scenes of daily life in the Washington, D.C. area. The Anacostia Story exhibition in 1977 presented the history of the Museum’s community from 1608 to 1930. In October 1974, the exhibit branch of the museum moved into the new Exhibits Design and Production Laboratory in Fort Stanton Park. Among these photographers are Arthur P. Bedou, Prentice Herman Polk (P. H. Polk), Addison N. Scurlock, Carl Van Vechten, Ernest C. Withers, Robert H. McNeill, Titus Brooks Heagins, Kerry Coppin, Dennis C. Calhoun, and Fern Logan. In the Museum’s next phase as the “Anacostia Museum,” a change made in 1987, staff continued to engage with local communities and grapple with complex questions about exhibiting Black history, though on a slightly larger scale. Evans-Tibbs Collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Thurlow E. Tibbs, Jr. Estate. Please also keep in mind that we have a very broad definition of what constitutes women's involvement in the war. The Anacostia Community Museum’s collection documents urban communities and the lives of urban residents, from home life and everyday activities to the community-building efforts … Holdings include the personal papers of individuals with national or local reputations. The Anacostia Community Museum’s collection includes portraits that welcome us into the home of John N. Robinson, an artist who lived in Anacostia for over seventy years. Appointment Required, Eliot Elisofon Photographic Archives, African Art, Assistant Secretary for Communications and External Affairs. Approximately 1000 linear feet of materials, comprising personal papers, manuscripts, exhibit records, local community records, photographs, and special collections, are located at Fort Place. Monday, Wednesday, Friday In 1995, the museum was renamed Anacostia Museum and Center for African American History and Culture, and served as a planning site for the new Smithsonian National Museum of African American History and Culture, which was established in 2003. Anacostia community leaders formed an advisory council to guide the venture and build local support. Catalog records are available on SIRIS. Other exhibitions have examined such subjects as urban problems, the history of Anacostia, African American art and heritage, and African culture. Accession Number: 1991.0076.0118 Restrictions & Rights: CC0 See more items in: Anacostia Community Museum Collection Data Source: Anacostia Community Museum GUID: In April 1987, the museum changed its name to the Anacostia Museum to reflect the museum's increased mandate to examine, preserve, and interpret African American history and culture, not only locally and regionally, but nationally and internationally as well. Sort by Title; The library collections reflect the changing mission of the museum: from the original Anacostia Neighborhood Museum, to the Anacostia Museum and Center for African American History and Culture in 1995, to the Anacostia Community Museum in 2006. It wasn't until 1992 that ACM create… Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. Among these materials include the papers of Frederick Douglass Patterson, Madame Lillian Evanti, Lorenzo Dow Turner, Ethel Payne, Joy McLean, Col. West A. Hamilton, Charles E. Qualls, Ella Pearis, and Alice B. Finlayson. In addition, collections of family papers that document everyday life and family history in diverse communities include the Sullivan, Griffith, Henson, Plummer-Arnold, Harris, Bryan, Lucus, and Robinson-Smith papers. 1901 Fort Place SE … The collection also includes works by historical and contemporary celebrated photographers. 202.633.4820. It looks like this is your first visit to a collection page. These represent Art, Design, History, Culture, Science and Technology. In 1991, the museum became simply the Anacostia Museum, adding collections and opening major exhibitions focused on African American history and culture. 1901 Fort Place SE (1.1 × 11.1 × 7.2 … Washington, DC 20020, Hours Anacostia Community Museums Collections and Research Anacostia in “A Right to the City” Exhibition at the Smithsonian Anacostia Community Museum Smithsonian Archives - History Div Director John R. Kinard in front of Anacostia Neighborhood Museum In 1996 Armstrong was placed on the National Register of Historic Places, and now serves the local community as the Armstrong Adult Education Center. The museum was not allowed to build such a collection by the Smithsonian. From family archives of 19th-century African American locals to works from black DC artists, the artifacts highlight how inextricably linked the museum is to its local surroundings. Soon thereafter, Smithsonian Secretary S. Dillon Ripley formed a committee to plan "an experimental store-front museum" in a Washington, DC, neighborhood. Here you can discover more than a million resources, create personal collections and educational experiences, and share your work. Object Details DateBetween 1920 and 1940 MediumPainted porcelain, stone, and clay.DimensionsMaximum: 7/16 × 4 3/8 × 2 13/16 in. Anacostia Community Museum Collection, Smithsonian Institution. Examines, documents, and interprets the impact of historical and contemporary social issues on urban communities. . Sorted by Relevancy . His works in the museum’s collection show a keen sense of color and texture, and an interest in experimenting with form. Soon thereafter, Smithsonian Secretary S. Dillon Ripley formed a committee to plan "an experimental store-front museum" in a Washington, DC, neighborhood. The Anacostia Community Museum grew out of an idea that was first discussed at a conference on museums and education sponsored by the Smithsonian in August 1966. Join Anacostia Community Museum registrar Sarah Loudin as she gives a presentation on one of the rarely seen treasures from the museum’s permanent collection. You are welcome to make an appointment via email, telephone, or fax. Dates: 1996-04 - 1996-12 Size: 2.42 Linear feet (3 boxes) Collection ID: ACMA.03-019 Repository: Anacostia Community Museum Archives Search within this community and its collections: Collections in this community. Anacostia Community Museum (27) Douglass, Frederick, 1817?-1895 (5) Smithsonian Institution. About Located in the Anacostia neighborhood, this museum examines, documents, and interprets the impact of historical and contemporary social issues on urban communities. Most of the collections are on-site at the museum's main Fort Place facility but some materials are in off-site storage. Find out more about the Learning Lab. The Smithsonian lacked in its collections related to African American history and culture, and John Kinard help encourage other museums to start acquiring objects, such as artwork and pieces owned by Duke Ellington. Catalog records are available on SIRIS. The museum also established an archives to document the communities east of the Anacostia River. The archives unit collects, preserves, and makes available materials supporting the object-based collection and the research and educational activities of the museum, as well as the museum's mission which is centered on contemporary urban communities. In 1977 the museum was able to start building its permanent collection. Most of the collections are on-site at the museum's main Fort Place facility but some materials are in off-site storage. ACM did not have a permanent collection until the late 1970s. . FREE ADMISSION FREE PARKING. Uprising Against ICE by Rosalia Torres-Weiner, Collection of the Anacostia Community Museum, Smithsonian Institution Like Rivera’s painting, Torres-Weiner’s piece features a crowded and compressed picture plane, with a family unit battling an authority figure at the forefront. Ethel Lois Payne Collection, Anacostia Community Museum, Smithsonian Institution, Gift of Avis R. Johnson. Travel back in time to the late 1950s. 10am to 12pm and (Smithsonian Anacostia Community Museum, gift of Ira Blount) Ira Blount was a self-taught maker whose art ranged from basketry, quilting, and woodwork to cross-stitch, origami, beadwork and more. Poems on Various Subjects Religious and Moral by Phillis Wheatley is the earliest publication in the collection. The museum implemented an acquisition program in 1977, and first used original artifacts in the 1979 exhibition Out of Africa: From West African Kingdoms to Colonization. Smithsonian Institution. The Rat exhibit traveled across the United States, and led to a television documentary on the topic. Anacostia Community Museum Archives This collection, which dates from 1993-2005, contains 11 gelatin silver photographic prints by Steven M. Cummings. Environmental Issues and Concerns East of the Anacostia River: Justice or Just Us? Recent Submissions. Anacostia Community Museum North Brentwood Historical Society (North Brentwood, Md.) This facility served as the core for a larger museum building that was completed in 1987. The objects highlighted below are held by the Smithsonian's Anacostia Community Museum and represent only a preliminary survey of the museum's holdings that are related to women in World War I. The museum relied largely on special grants for support until 1970, when it became a line item in the Institution's federal budget. Anacostia Community Museum (69) Smithsonian Institution. The museum’s focus on education led to the creation of the Museum Academy Program, which works with local school children both during the school year and the summer. The red brick building uses African motifs suggestive of woven kente cloth. The museum then returned its focus to the life and history of communities east of the Anacostia River and was renamed the Anacostia Community Museum in 2006. Concrete cylinders punctured with glass blocks and blue tile surround the entryway, designed to evoke the conical towers of the 11th century city of Great Zimbabwe, the largest complex of ruins in Africa. In 2006, the name was changed to the Anacostia Community Museum to reflect the change from ethnic themes to broader social and cultural issues faced within urban communities. Library Catalog . Approximately 1000 linear feet of materials, comprising personal papers, manuscripts, exhibit records, local community records, photographs, and special collections, are located at Fort Place. Photo by Susana Raab/Anacostia Community Museum/Smithsonian Institution We at the Anacostia Community Museum do not fear dirt and grime in the pursuit of cultural heritage work: Collections Manager Josh Gorman examines the attic of the Barry Farm home on Stanton Road, which was rumored to be the former home of a bootlegger during prohibition. This museum, an "experimental community museum," which is located in a renovated theater, is operated in cooperation with the local community. Smithsonian staff cooperated with local citizens to convert the theater into an exhibition space, and to select objects for display. Anacostia Community Museum in Washington, D.C. African American History and Culture Museum, Smithsonian Institution Building, The Castle, National Museum of African American History and Culture, National Air and Space Museum and Udvar-Hazy Center, Smithsonian American Art Museum and Renwick Gallery, Center for Folklife and Cultural Heritage, Smithsonian Environmental Research Center, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution Building, the Castle, Chronology of the Anacostia Community Museum, Bibliography of the Anacostia Community Museum, Historic Images of the Anacostia Community Museum, Anacostia Community Museum Records from the Smithsonian Institution Archives, Historic Picture Highlights of the Anacostia Community Museum, Additional Records and Collections of the Anacostia Community Museum from across the Smithsonian, Anacostia Community Museum Community Documentation Initiative, Diary of Adam Francis Plummer, A Narrative of a Maryland African American Slave, Sign up for email updates on our amazing collection. Literary and copyright belong to the author/creator or their legal heirs and assigns. The archives include over 200 volumes of books dating from the early 19th century to the present. Established in 1967 as the Anacostia Neighborhood Museum, it served first as a Smithsonian outreach museum situated in one of the Washington, D.C.’s largely African American neighborhoods and later evolved into a museum which documented, preserved, and interpreted African American history from local and community history perspectives. Anacostia Community Museum Staff Publications [4] Anacostia Community Museum staff publications. The theater was renamed the Anacostia Neighborhood Museum, and opened to the public on September 15, 1967. Daily Hours: CLOSED 10 a.m. to 5 p.m. Closed December 25th. 1pm to 4:30pm Anacostia Community Museum Archives This collection, which dates from circa 1932-1999, documents the personal and professional life of Frank R. Jackson, as well as daily life in Anacostia. The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. The new structure, located at 1901 Fort Place, Southeast, Washington, DC, was large enough to accommodate all the functions of the museum in one location for the first time. Resources at Anacostia Community Museum. A small selection of Anacostia Community Museum historical and administrative records are kept by the archives and supplement the institutional records held by Smithsonian Institution Archives. These records document the museum's myriad exhibits from 1967 to the present and also complement the institutional records held by Smithsonian Institution Archives. Ripley’s original goal for the museum was to reach out to an African-American community in Washington, DC, to encourage them to visit Smithsonian museums on the National Mall. Robinson made art at home about what he deeply cherished. Anacostia Community Museum The Anacostia Community Museum has a long history of exploring arts and creativity through arts exhibitions and installations, museum collections, and community-focused programs. The Anacostia Community Museum Archives (ACMA) opened in 2001 in the Smithsonian Institution's newly renovated Anacostia Community Museum, founded in 1967 as the first federally funded neighborhood museum and located in the historic Anacostia section of Washington, D.C. Designed by Keyes Condon Florance, Architrave, and Wisnewski Blair Associates in the cultural expressionism style, the museum takes advantage of its park-like setting with large picture windows at the entrance and side galleries. In June 1967, the Institution appointed civil rights activist, educator, and minister, John R. Kinard, as director of the museum, a position he held until his death in 1989. The Anacostia Museum Branch Library has over 8,000 books, and close to 100 periodical titles in various formats. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. Welcome to the Smithsonian Learning Lab. The museum library was established in 1991. In Los Angeles, California, 10-year-old Octavia E. Butler began writing science fiction at a time when few African American writers did. The archives also contain the records of several organizations, such as the Bladensburg Union Burial Association, with records dating from 1874–1978; the Chitlin Market; and the District of Columbia Art Association. Posters, sheet music, pamphlets, vertical files, and audiovisual materials are also among the holdings in the Anacostia Community Museum Archives. The Anacostia Community Museum has collected art, objects, archives and associated stories almost from the moment it opened in 1967. Porcelain Plate Pieces Excavated in Anacostia | Anacostia Community Museum Collections si.edu. 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